Recall Travis Bickel’s mustardy yellow taxi cruising malevolently through mounds of manhole stea...
Author: E. Hutton
If you’re a drydocked winter sailor (and the Sag Harbor Whaling Museum is still closed), you can q...
To those moviegoers (or more likely these days, stay-at-home Netflixers) who have just slogged the...
“L-O-V-E” reads the tattooed right hand of Preacher Harry Powers (Robert Mitchum) — but don...
Paris, 1992, and banners over the Boulevard Saint-Germain announce the “Hal Hartley Festival du ...
“The Last Picture Show” (1971) was the first critical and commercial success for the then-youn...
“Daisy Miller (1974),” a fascinating if occasionally frustrating film based on an early novella ...
“The Bostonians,” like most films by the celebrated triad of director James Ivory, producer Is...
[caption id="attachment_26802" align="aligncenter" width="1920"] Independent/Courtesy IMDB[/caption]...
“I yam what I yam, and that’s what I yam.” What better tagline for today’s cultural chaos?...
“I’ve got poetry in me,” mutters the gambler John McCabe (Warren Beatty) to himself, “but yo...
Robert Altman’s The Long Goodbye (1972) takes an entertaining 1970s look at hard-boiled 1940s de...
Streaming is a periodic look at classic films, available on home networks and apps.
It’s no secre...