Lauren Yee’s new musical, “Cambodian Rock Band” at the Signature Theatre, introduces a style o...
Author: Isa Goldberg
Charles Fuller’s 1982 Pulitzer Prize-winning drama, “A Soldier’s Play,” finally makes its Br...
The most surprising thing about “Grand Horizons,” the Second Stage Theater’s premiere at the H...
Laura Linney, truly an elixir of stage chemistry, commands a full 90 minutes of storytelling in the ...
Take the incomprehensibility of everyday life and swallow it whole. That is the confection behind ...
A professor in the Department of Art & Public Policy at NYU’s Tisch School of the Arts, Anna D...
Eloquent story telling is the gift of “The Inheritance.” Arriving on Broadway after a successful...
As much as I’ve enjoyed many a repast with “The Apple Family,” and “The Gabriels,” mealtim...
Do you remember the final scene of “La Dolce Vita,” after the monster fish appears, with the men...
The raves and buzz surrounding playwright Jeremy O. Harris are well deserved. A surprising young wri...
French playwright Florian Zeller, well known in New York theater for his plays, “The Father” (Fr...
A horrible comedy, or rather a comedy that runs amok with horrible behaviors, “Eureka Day,” Colt...
Two companion pieces, “Sea Wall” and “A Life,” bring the welcome return of Jake Gyllenhaal a...
It was the time of Toulouse-Lautrec, Edgar Degas, and Puccini. Paris at the end of the 19th Century ...
In “Moscow Moscow Moscow Moscow Moscow Moscow” at the MCC Theater, playwright Halley Feiffer has...
With the illustrious team behind “The Secret Lives of Bees” — Lynn Nottage’s book and Duncan...
Bearing the stamp of playwright Kate Hamill, this “Little Women” is a testament of late 20th-Cen...
Among the often-repeated clichés that riddle the dialogue between Frankie and Johnny, one that is u...
Thanks to David Yazbek’s score, “Tootsie” gives us the whoosh that sets our abandon in motion....
Talking about Mexico, and building the wall, Cirque du Soleil’s new show, “Luzia (A Waking Dream...